QSTPS COMMENT ON THE PLAY " ECHOES OF WAR" BY BUTERE GIRLS, THE TERRIFYING NIGHT ARREST OF ITS PLAYWRIGHT HONORABLE CLEOPHAS MALALA AND WHY IT IS A BRILLIANT PLAY THAT SHOULD BE PERFORMED, WRITTEN , RECORDED, LIVESTREAMED AND PUT IN TELEVISION /MOVIE FORMAT


QSTPS COMMENT ON THE PLAY  "ECHOES OF WAR "

In what can be described as a terrifying night arrest of the scriptwriter of the now infamous play Echoes of War, Honorable Cleophas Malala , the Kenyan Public is divided on whether the arrest,that has now been stayed with Malala's release,was justified .

In our humble yet bold opinion his arrest was not justified neither was the banning of the play that got  a Govt Okay via the High Court . Besides , he and the actresses are protected by the Supreme Law/s of the Land aka the Supreme Order/s of the Land aka the Supreme Command/s of the Land which provide for Freedom of Expression , including Artistic Expression and Freedom of Speech including Artistic Speech exuded in Playwrighting and Performance.

We hope that the dreadful saga that unfolded on Live Television that is Citizen TV' Prime Time News  with Jeff Koinange Live being the show at the time will usher in a new Kenya that honors Liberation of Individuals and Communities pronto confirming The Constitutional Foundational Law of Freedom aka Uhuru to all and for all forever in Kenya.

Law is Freedom.

Law is Limitless.

Freedom is God himherself. 

Freedom is Eternity .

Freedom is doing whatever you want.

Freedom is saying whatever you want.

Freedom is living the way you want.

Freedom is getting whatever you want.

Freedom is going whatever you want.

Freedom is knowing whatever you want.

Total Freedom is our final destination that is Planet Heaven.

The play is absolutely stunning and intellectually thought provoking with bold nuances of liberty and freedom fighting.
Chains are everywhere in the world and Truth/Scientific Pursuit as King Yeshua King Jesus said sets us free aka breaks the chains of sickness, poverty and ignorance.

Such a play should be written down and taught as a setbook in schools as soon as possible because of its global relevance and its timeliness as it awakens the world to meet Technology and choose to work with it as soon as possible as we build the world with the aim of being fully developed as soon as possible.

QSTPS is aware of the situation brilliantly discussed in the play and has advocated for The Global Wakanda Movement or The Wakanda Age where every facet of society should be digitized and backed up with a manual system in case of malfunction.

We have called for Income Distribution via printing money to every human from the youngest to the oldest monthly so that people can live in freedom & live comfortable lives in a world where Technology  can make your life comfortable if you have a high income and uncomfortable if you have a low income.
We have also called for Same Sex Wakanda Cities to be set  up in all over the world.


 Hence everyone will have Standard Digital Devices to live in this new age bearing names such as Olam Israel to Akon's and Akon City's Wakanda Age to Trump's Golden Age ; An Age where Technology & Religion are one ,  where Science & Faith are united. AMEN.


comment by 
Founder of QSTPS 
Arthur Owiti/Tendaishe Owiti /Arthur Tendaishe Ochieng Mburu Owiti/ Ochieng/Mburu/DJ Kuchu/ Rex Arthur/Aquarian Scientist/Aquarian Philosopher/


Echoes of War: The script of the controversial Butere Girls stage play

It is set in a Royal Velvet Emirates, a fictional Middle Eastern kingdom where societal balance is fracturing.

image
by FELIX KIPKEMOI

News10 April 2025 - 15:05

In Summary


  • The play’s most controversial aspect lies in its portrayal of religion and authority clashing with artificial intelligence and youth rebellion.
  • Echoes of War doesn’t provide easy answers but instead uses hyperbole, allegory, and poetic dialogue to provoke deep reflection.
Echoes of War play by Butere Girls/

Butere Girls High School has been thrust to fame yet again over its controversial stage play scripted by former Kakamega Senator Cleophas Malala.

The school which had initially been banned from staging the Gen Z-theme play dubbed ‘Echoes of War’ on grounds that its theme critiques the government was set to perform at this year's national drama and festivals competition.

It is being held at Lions Academy in Nakuru County.

The court lifted the ban on April 3, paving the way for them to participate when Justice Wilfrida Okwany suspended any letter banning or barring the school from participating in the festival.

What is the play all about?

The play, currently at the centre of a storm, explores contemporary issues like technology, governance, social justice, and the struggle for young people on civil liberties.

It centers on a nation recovering from a civil war, with young citizens at the forefront of rebuilding efforts and critiques the role of digital spaces in governance and the power of youth in shaping societal change.

It is set in a Royal Velvet Emirates, a fictional Middle Eastern kingdom where societal balance is fracturing.

The play blends tradition, religion, and futuristic elements to dramatise a generational conflict simmering beneath the surface of many modern societies.

With its bold themes and unconventional character representations, including a humanoid Artificial Intelligence (AI), the play is being praised as visionary by some and condemned as blasphemous by others.

The elderly, once revered for their wisdom and experience, feel increasingly sidelined by a rising generation that champions innovation and rejects rigid traditions.

The play uses this fictional backdrop to reflect real-world tensions between conservative values and progressive ideals.

Characters

At the heart of the narrative is Sultan, a powerful ruler caught between upholding ancient customs and embracing a future he barely understands.

Anifa Imana, the embodiment of AI, represents a new form of life, one that merges human memory with machine logic.

Her character, a symbolic creation of both nature and technology, becomes the central battleground in the play’s philosophical and spiritual arguments.

Religious and cultural figures like Mama Anifa, the Police, and the Imam bring emotional weight and ideological opposition.

Mama Anifa, mourning the loss of her daughter’s traditional path, views Anifa Imana with both fear and sorrow.

The Police, caught between duty and fatherhood, symbolises the internal conflict faced by those who straddle the two worlds.

Mustafa, a young tech innovator, challenges the state’s rigid systems, only to be branded a traitor.

The Imam serves as the voice of strict orthodoxy, fiercely rejecting any deviation from sacred norms.

The play’s most controversial aspect lies in its portrayal of religion and authority clashing with artificial intelligence and youth rebellion.

Audiences are left to grapple with questions: Can tradition and technology coexist? Is rebellion necessary for progress, or is it merely a reflection of ungratefulness and moral decay?

Echoes of War doesn’t provide easy answers but instead uses hyperbole, allegory, and poetic dialogue to provoke deep reflection.

It challenges viewers to consider the true cost of generational silence, the price of progress, and the humanity hidden within code and culture alike.

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Malala missing after alleged arrest in Nakuru

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